This work oscillates between painterly practice and photographic processes. The application of the developer and fixing chemicals, as well as the layering that occurs in the course of exposure, results in an expressive mode of the otherwise orderly and calm process of developing photographic prints.

The assembled motifs leave traces, some of which are easily legible, often transformed into more abstract forms or completely absorbed in expressive gesture. Attempts to understand the photographs analytically by points of equivalent or cancelling out light intensities cause the ordering vision to fail.